The official French censors, as well as King Louis XVI, opposed the play. Beaumarchais faced many obstacles in producing his comedy. Completed in 1780, the play would not be acted on the French stage until 1784. Mozart soon took the production on the road to Prague and it was there that the history begins to match our own affection.Like its author, Pierre-Augustin Caron de Beaumarchais, The Marriage of Figaro had a long, illustrious history. Once complete, the opera enjoyed a successful premiere but only eight more performances in Vienna, where paid hecklers attempted to bring Mozart down. The play was banned at first and it took some effort by da Ponte to get permission for his libretto treatment. That the opera would become the beloved repertory standard it is today was not immediately apparent. We find ourselves among the familiar characters on the day of Figaro’s wedding to Susanna but the ceremony is delayed by various intrigues, plots and other flights of aristocratic spoofery. Based on the second part of the Beaumarchais Figaro Trilogy, Mozart’s brilliant opera buffa continues the story begun with The Barber of Seville. WOLFGANG AMADEUS MOZART (1756-1791) – The Marriage of Figaro was the first of three successful collaborations between librettist Lorenzo da Ponte and Mozart. Instrumentation: 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, strings. Mozart – Overture to The Marriage of Figaro
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